![]() It is not like yeah we burnt bridges with PA so users all come and pay us 100$, unless Deskew can take back my license and give me my 100$ I paid, then I should be able to download my crappy, non-updatable PA version as many times as I want. Site is having issues but this thing is basically free https :///element/īased on the "I paid for this software" principle, users must be provided with the last updated version of the software available for download, backup and to continue using with Plugin Alliance's license. This is what I was using before I got GP at a discount. Gig Performer is powerful, but too complex (and I would guess Cantabile would fall in this category as well).Īnyhow, what are other folks experiences? Is Gig Performer the best solution for your use case or is something else working for you sufficiently or better? So far, VST Live is the most intuitive (though I've experienced some VI loading issues that may be buggy behavior, or something I don't understand). I've been looking for a VI host that I can give neophyte keyboardists and have them be able to layer patches and switch between patches in a setlist. So, I've been playing around with using Unify within S1 Pro Show. the only thing missing is being able to quickly change between patches in a setlist. especially for guitar (visually, just having a flowchart type of interface makes more intuitive sense when it matches how virtual wires are connected). However, for more complex signal routing, Gig Performer and Cantabile are better suited for it. I'm still on S1 5 Pro-I don't know if they've made a lot of improvements in S1 6 Pro.įor doing basic stuff using the DAW-centric insert/bus paradigm which is most of the time for me when using keys, I find Mainstage, VST Live, or S1 Show Page is faster. I like this as well, but for doing splits and transposes, have to create a multi instrument, explicitly adding another layer, whereas VST Live has that capability for every patch. Set up "players" and save the presets for each song. similar to VST Live, I like the more DAW-centric design. with a more DAW-centric bus type of workflow, and is faster if all you want to do is have virtual instruments and just mix between them. ![]() The way this works is more straightforward to me than GP4. Definitely worth that price, given it comes with Padshop 2, Retrologue 2, and HALion Sonic 7 with Pro / Artist / Basic Sets. ![]() I picked this up for $50 when it was 50% off. Better (cleaner) looking interface than Gig Performer. includes the EXS instruments available in Logic. I've only tried the free version.Īpple Mainstage (Mac only). A Mac version is being worked on, but it's been several years and still hasn't been released. Their updates are subscription based, like Bitwig. The principle design goals are stability, performance, and flexibility. They have three tiers of their product (free, Solo, and Performer). If on Windows only, Cantabile is the most obvious competitor to Gig Performer. Here are some of my experiences/thoughts. I feel that having competition is good for the market. MainStage lets you take your Mac to the stage with a full-screen interface optimised for live performance, flexible hardware control and a massive collection of plug-ins and sounds that are fully compatible with Logic Pro.Perhaps it would be more productive to talk about alternatives to Gig Performer.
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